Showing posts with label director. Show all posts
Showing posts with label director. Show all posts

February 18, 2014

A Decoded Lens | Devil Is a Lie by Ashley Smith



Written by Bria Evans 

Bria: Where did the inspiration for the Devil is A Lie visual come from?
Ashley: It was actually pretty simple.  The title of the song hit me as literal.  "The Devil Is A Lie" so what does that mean?  The devil lies; he'll paint pictures in your head about what is acceptable and what is not. He will come to you dressed as people you would confide in and trust, then he'll have you sinning and behaving in an unacceptable manner.  So that's where I came up with the two priests sinning and being in your face with it. They are not Godly men. They are the devil; and are lying to you while dressed as people you would/should trust.  I had also been binge watching American Horror Story on Netflix [laughs]. 

B: How was the casting process for the priests? Was it easy or difficult getting two older white men to mimic Rick Ross' and Jay Z's verses?
A: The awesome thing is that I shoot and cast so frequently that I have a list of headshots of people who know who I am and really want to work with me because they’ve worked with me in the past.  So, for the crazy bizarre shit I come up with, actors are usually excited to take a stab at it.  What's hard is making sure that they can pull it off…especially since they do these projects on a one day’s notice.  It's such a huge culture clash so at times it can be difficult.

B: The reaction to the visual has been amazing since it went viral across the web. Are the reactions what you expected?
A: I actually thought the video would have done a little better than what it did.  However, the critique on it has been more than what I expected.  It went a little further beyond the entertainment aspect and people have taken more notice of its artistry.  I think that is pretty cool.

B: You have encountered some forms of visual plagiarism through your previous works. Is that still a concern of yours at this point?
A: I hate that with a passion.  If I was well known, then I could care less, but since I'm a guy with a child who’s struggling to pay bills, it kind of sucks and is a disappointment that your own brothers would do that to you. But I have a new focus this year.  I'm putting out tons of viral content. Some will be good while others will be great.  I'm really focusing on branding myself and letting the cyber world know who Ash Innovator is.  My goal is to have a strong web presence by next year.  So hopefully when these things occur in the future there will be more potential for backlash and artists will have their hands forced to work with me.  I just want to put out dope shit and feed my family.  That’s why I do this.

B: It's obvious that you have a distinguished vision that sets you apart from your colleagues; but it seems labels don't care about vision anymore, only the budget. How do you plan to defeat that mold?
A: I don't have an answer for that just yet. As I said before, my goal is to pop off so hard virally that artists feel like they have to work with me.  My vision is different, it is unique and many artists don't like the ideas that I come up with on paper.  They would rather deal with someone else that has a stronger track record with cookie cutter videos. It's hard for me to sell my ideas because it’s a different concept coming from a director that they don't know anything about.  But this year is going to be big for me. After I develop my fan base, they'll do all of the work for me.  See, a lot of artists or even people for that matter are followers.  They won't do anything until someone else does it first, then they scream that they were the first one with it. I'm going to let the people on the internet that genuinely like my work take care of my cosigning.  Once I pop off…having a video directed by me will become some sort of a novelty.  I think it’s easy to identify my work, not just because I use actors, but because the concepts are so bold and in your face.  My style will become a brand that’s similar to Hype [Williams],  X [formerly Little X], Glazer, etc. who all have very specific styles.  I want my brand to be like the Versace of videos…every artist feels like he needs one. That’s my goal for the future.

B: What's next on Ash The Innovator's to-do-list as a filmmaker?
A: I just released my favorite video yet. It’s inspired by Macklemore's Grammy sweep over Kendrick but I guarantee [you] that no one would get that reference.  It'll go right over everyone’s heads but they'll love it because it’s entertaining as hell.  [Check out the video here]

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Check out more of Ashley Smith's film work here


June 26, 2013

cinematic shorts | Phlegethon


For those of you who are unfamiliar with Greek methodology, Phlegethon was one of the five rivers in the burning underworld that is Hades. Phlegethon is described as a river of blood that boils souls, that consists of heinous mortals whom have committed crimes of violence against their fellow men. Well, Russian filmmaker, Vadim Vatagin, took it upon himself to create a real-life visualization for the methodological place that is Phelgethon and I am in awe by how amazing this film is. The film is self-explanatory but Vadim invites viewers on a suspenseful journey that tunnels a different meaning for the term afterlife. It's trippy. It's enticing. It's brilliant. I can assure you that a mental orgasm awaits you upon viewing the short-film, Phlegethon. Please check it out below. 




October 19, 2012

perception | Mad As Hell


The innovative director, Ashley Smith, once again invites you into his vision through a very creative visual that is relevant to how most Americans are feeling right now. In regards to the upcoming Presidential election, it's understandable to be Mad As Hell and Ashley allows you to see and most importantly hear why. Vote, Vote, Vote.

June 05, 2012

Insight | Fatima Robinson


Since I was a little girl, I have always been obsessed with the art of music and choreography, and even more so, a young woman named Aaliyah Haughton. I would play her videos and mimic her every style for hours upon hours in my house each day. Well imagine my surprise when I learned of the creative behind Aaliyah's smooth choreography, who was the talented Fatima Robinson. From that moment on, Fatima became one of my main inspirations growing up. Her style, creative genius, and humility are nothing short of astronomical and what's crazy is that I don't think she understands how iconic she is. In the interview below, Fatima provides a glimpse into her story which is a very rare occurrence for this living legend so please check it out. 


By the way, here's her resume and a small fact to insert is that at the age of 21 while most of her colleagues were busting their asses for college exams, Fatima was busting her ass as the choreographer for Michael Jackson's famous video "Remember the Time"  Um, yea.  






Credit: StyleLikeU

May 24, 2012

Avid Visionaries | Ashley Smith Interview


Name: Ashley Smith 
Visionary Class: Film | Director
Most Notable Mention: Way Too Cold Visual 


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Bria: At what moment, did you become interested in film? 
Ash: I really took film seriously in 2006. I have been interested in it my whole life.  Even in grade school I used to write short stories and fantasize about them being screen plays.  My teachers told me I should pursue creative writing but it wasn't my time to do that. I wasn't focused.


B: Did you attend film school or was film a passion that just naturally progressed into your career?  
A: I am a Morehouse grad, first and foremost.  However when I graduated from Morehouse I decided I needed some formal education in the theory and the technicals. So it was a bit of both. Looking back now, all my real knowledge came from working experience.  School was pointless.  Maybe more useful as a segway.


B: What ignites your creative mode? 
A: Music and travel mostly ignite my creative moods. I do get a lot of inspiration from watching foreign films, most recently, short films and creative content I find on Vimeo.  Pop art does it for me as well. I frequently find myself strolling around in SOHO as I am inspired by the colorfully dressed fashion folks. I'm a huge fashion fan. You wouldn't tell by looking at me though [laughs]. 

B: You describe yourself as an innovator. What's distinct about your style of directing? 
A: I describe myself as an innovator because I frequently try to bring something different to the forefront.  Not saying that I create things that are so new but frequently, I am inspired by things that perhaps someone else has done by mistake, or something somebody has done that most people haven't seen, or find ways to do something that many people have done but do it slightly different.  Every time I film something I ask myself what can I do to make this look unique and cool at the same time. It was that thought that I used to create the look of the INNOVATOR short film.  Although, it just ended up resembling Tron [laughs]. Similar to what James Cameron is preparing to do with his new infatuation of shooting native 60 frames, he's taken a visual taboo and is going to make it a new trending standard.  That's Innovative.