Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

February 18, 2014

A Decoded Lens | Devil Is a Lie by Ashley Smith



Written by Bria Evans 

Bria: Where did the inspiration for the Devil is A Lie visual come from?
Ashley: It was actually pretty simple.  The title of the song hit me as literal.  "The Devil Is A Lie" so what does that mean?  The devil lies; he'll paint pictures in your head about what is acceptable and what is not. He will come to you dressed as people you would confide in and trust, then he'll have you sinning and behaving in an unacceptable manner.  So that's where I came up with the two priests sinning and being in your face with it. They are not Godly men. They are the devil; and are lying to you while dressed as people you would/should trust.  I had also been binge watching American Horror Story on Netflix [laughs]. 

B: How was the casting process for the priests? Was it easy or difficult getting two older white men to mimic Rick Ross' and Jay Z's verses?
A: The awesome thing is that I shoot and cast so frequently that I have a list of headshots of people who know who I am and really want to work with me because they’ve worked with me in the past.  So, for the crazy bizarre shit I come up with, actors are usually excited to take a stab at it.  What's hard is making sure that they can pull it off…especially since they do these projects on a one day’s notice.  It's such a huge culture clash so at times it can be difficult.

B: The reaction to the visual has been amazing since it went viral across the web. Are the reactions what you expected?
A: I actually thought the video would have done a little better than what it did.  However, the critique on it has been more than what I expected.  It went a little further beyond the entertainment aspect and people have taken more notice of its artistry.  I think that is pretty cool.

B: You have encountered some forms of visual plagiarism through your previous works. Is that still a concern of yours at this point?
A: I hate that with a passion.  If I was well known, then I could care less, but since I'm a guy with a child who’s struggling to pay bills, it kind of sucks and is a disappointment that your own brothers would do that to you. But I have a new focus this year.  I'm putting out tons of viral content. Some will be good while others will be great.  I'm really focusing on branding myself and letting the cyber world know who Ash Innovator is.  My goal is to have a strong web presence by next year.  So hopefully when these things occur in the future there will be more potential for backlash and artists will have their hands forced to work with me.  I just want to put out dope shit and feed my family.  That’s why I do this.

B: It's obvious that you have a distinguished vision that sets you apart from your colleagues; but it seems labels don't care about vision anymore, only the budget. How do you plan to defeat that mold?
A: I don't have an answer for that just yet. As I said before, my goal is to pop off so hard virally that artists feel like they have to work with me.  My vision is different, it is unique and many artists don't like the ideas that I come up with on paper.  They would rather deal with someone else that has a stronger track record with cookie cutter videos. It's hard for me to sell my ideas because it’s a different concept coming from a director that they don't know anything about.  But this year is going to be big for me. After I develop my fan base, they'll do all of the work for me.  See, a lot of artists or even people for that matter are followers.  They won't do anything until someone else does it first, then they scream that they were the first one with it. I'm going to let the people on the internet that genuinely like my work take care of my cosigning.  Once I pop off…having a video directed by me will become some sort of a novelty.  I think it’s easy to identify my work, not just because I use actors, but because the concepts are so bold and in your face.  My style will become a brand that’s similar to Hype [Williams],  X [formerly Little X], Glazer, etc. who all have very specific styles.  I want my brand to be like the Versace of videos…every artist feels like he needs one. That’s my goal for the future.

B: What's next on Ash The Innovator's to-do-list as a filmmaker?
A: I just released my favorite video yet. It’s inspired by Macklemore's Grammy sweep over Kendrick but I guarantee [you] that no one would get that reference.  It'll go right over everyone’s heads but they'll love it because it’s entertaining as hell.  [Check out the video here]

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Check out more of Ashley Smith's film work here


September 22, 2013

carolina ardor | Crooked Smile: The Visual


There’s a reason why Jermaine Cole stands to be one of the few mainstream artists that I admire in this new generation of hip-hop and it’s because he doesn’t allow his new found stature to distance him from the people. His music runs parallel to the everyday struggles of everyday people and I appreciate him for doing that. His latest visual for his single, Crooked Smile, further validates my opinion of him as he decided to provide an artistic message by highlighting the heinous murder of Aiyana Stanley-Jones. If you’re not aware of who she is, then please research it because if I reveal it, it will spoil your experience in watching this amazing work of art. 

June 19, 2012

Visual | This Time



Maaaan finally a great song that is followed up by a quality produced visual. Pardon my inner geek, but since there is a new plethora of untalented video directors and record labels are tight with their artists' budgets, music videos are lacking these days. No true creative direction, no performance shots...just very Eh. However, I am more than pleased to see such a great artist like Melanie Fiona be presented in a beautiful light. The video provides some good energy and channels a little 90's R&B feel. I definitely approve. 

June 07, 2012

Visual | Burn it Down



I have always been a fan of Linkin Park and I remember a lot of the artistic stimulation I gained from music videos (aside from the now ancient large budget hip-hop videos) was from Linkin Park. They have always been a group that focuses on the correlation of the lyrics and the visual and I love that. I think in regards to videos, that is what entertainment needs more of. Forget the cliche models, club scenes, and dull performance shots...and just focus on connecting the lyrics to the videography so that the viewers can experience the music. 

May 29, 2012

Visual | No Church In The Wild


Um, don't get me wrong I am a major fan of Kanye's, as well as Jay, but it is hard as hell for me to comprehend why the two visuals for two of the biggest tracks off of WTT have been so...mediocre. Now I understand the message behind this No Church in the Wild video and I actually like it but I definitely expected more. I envisioned some really dope theatrical performances of The Throne duo in St. Peter's Basilica  or Sainte Chapelle in Paris or something similar. High expectations? Yes. Vivid imagination? Yes. ...And No, I cannot change it because that's just the type of person I am. 

Visual | Exodus 23:1



See more than just what you see.

Directed by: Samuel Rogers 

May 27, 2012

Visual | Daughters



Beautiful

Chris Robinson and Nasir Jones did an amazing job for the visual of Nas' single Daughters. I don't have children but the imagery captured by the lyrics definitely placed me in the emotion of "What if I did?" A very vivid and beautifully designed visual...Gotta' love Nas. His upcoming album Life is Good will be filling stores beginning July 17th so please support. 

ALSO...

To the fathers who made sure that they were the first man their daughter fell in love with,
You are appreciated. 

May 24, 2012

Avid Visionaries | Ashley Smith Interview


Name: Ashley Smith 
Visionary Class: Film | Director
Most Notable Mention: Way Too Cold Visual 


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Bria: At what moment, did you become interested in film? 
Ash: I really took film seriously in 2006. I have been interested in it my whole life.  Even in grade school I used to write short stories and fantasize about them being screen plays.  My teachers told me I should pursue creative writing but it wasn't my time to do that. I wasn't focused.


B: Did you attend film school or was film a passion that just naturally progressed into your career?  
A: I am a Morehouse grad, first and foremost.  However when I graduated from Morehouse I decided I needed some formal education in the theory and the technicals. So it was a bit of both. Looking back now, all my real knowledge came from working experience.  School was pointless.  Maybe more useful as a segway.


B: What ignites your creative mode? 
A: Music and travel mostly ignite my creative moods. I do get a lot of inspiration from watching foreign films, most recently, short films and creative content I find on Vimeo.  Pop art does it for me as well. I frequently find myself strolling around in SOHO as I am inspired by the colorfully dressed fashion folks. I'm a huge fashion fan. You wouldn't tell by looking at me though [laughs]. 

B: You describe yourself as an innovator. What's distinct about your style of directing? 
A: I describe myself as an innovator because I frequently try to bring something different to the forefront.  Not saying that I create things that are so new but frequently, I am inspired by things that perhaps someone else has done by mistake, or something somebody has done that most people haven't seen, or find ways to do something that many people have done but do it slightly different.  Every time I film something I ask myself what can I do to make this look unique and cool at the same time. It was that thought that I used to create the look of the INNOVATOR short film.  Although, it just ended up resembling Tron [laughs]. Similar to what James Cameron is preparing to do with his new infatuation of shooting native 60 frames, he's taken a visual taboo and is going to make it a new trending standard.  That's Innovative.


May 14, 2012

Insight via Phil Annand



Image via photographer Dave 

Phil Annand is a young entrepreneur who has created a career for himself via blogging, design, and most famously, his creation of two ventures, The Madbury Club [lifestyle website] and Award Tour [clothing brand]. The main admiration I have for Phil, aside from his entrepreneurial spirit, is his creative passion. When you listen to him speak about either of his brands and the creative essence of the world, you absorb the words of a passionate creative. I enjoy that. In this Hypebeast TV feature, Phil Annand is interviewed by  business mogul, Jeff Staple [if you don't know who Jeff Staple is, two things: 1. WHAT? 2. Google is your friend]. Phil provides a detailed insight about his beginnings, aspirations, and his perception of the academia.




Credit: Hypebeast 

May 08, 2012

Visual: Nelly Furtado - Big Hoops




Nelly Furtado is always a space of new air when she comes back onto the music scene from her little hiatuses. Musically, she fuses so many different sounds in her music that it creates a very universal aura...which I LOVE. Big Hoops is a nice track so I'm looking forward to hearing more from her upcoming album, The Spirit Indestructible. 

May 04, 2012

G.O.O.D Friday: Lost in the World Visual




Since this is one of my favorite tracks on My Beautiful Dark Twisted Fantasy, I am excited to see a video for it and crazily enough...it featured choreography, just as I had visioned it. As a production lover, it's hard to imagine a visual for this song not including choreography that aligns to the hard-hitting afro-inspired drums patterned in the beat. Great work. 

April 24, 2012

CYEAH x Chris Brown In-Studio Visual





Happy to see that this track finally came to light..but Wayne should be replaced. 

 CYEAH x CB x GUCCI x WAYNE

April 23, 2012

Melanie Fiona - Watch Me Work Visual




Creative and different for sure. I do wish though that she had more label support in terms of marketing and PR because whoever she has now sucks ass. Melanie could be so much larger than what she is but her team is lacking...just my opinion. 

April 21, 2012

Way Too Cold via Yeezy 2.0


Please know that I do not condone curse words exiting the mouths of children...however, this visual is classic. Yeezy 2.0 had the style, hand-gestures, and attitude of Mr. West decoded to his own personal science and I loved it. Oh, and when he hit the split and took it to the basement?! Um, yea. Visually brilliant. 


Video Credit: Ashley Smith 

April 17, 2012

Frank Ocean - Thinking About You



Not what I expected but I don't know if that's a good or bad thing...still a great track though. Sidebar: This song was originally for Bridget Kelly (a ROC Nation artist) but for some odd reason, there is no longer a mention of her. I really hope they didn't drop her because she is an ill ass singer.